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Paul Doyle

I'm Paul Doyle, Media Producer and Director, currently working for BBC in London.

Paul Doyle has been working for over eleven years in media production - from the early stages of conceiving ideas through to its realisation. Paul has experience researching; producing segments for radio and TV; scripting; booking/screening contributors; reporting, interviewing and broadcasting for radio;  writing articles and features for national press, specialist magazines and online news providers,; building programme running orders; generating multimedia content; editing video, audio and text. Broadcast operations is something Paull too has worked extensively in: as a floor manager and Vision Mixer and, in the last 5 years, as a Director for single and multi camera scenarios, both live and pre-recorded, in studios and in the field.

Paul Doyle's Background

Paul Doyle's Experience

Director at liberty

February 2011 - April 2012

Co-ordination and management of resources, including a large team of individuals, in order to produce up to 18 hours of Live television per day with the associated administration duties, reports, briefings and meetings. Have also been involved in numerous projects that effect programming and production processes. Directing and vision mixing directing of cookery, demonstration, lifestyle and live music performances coordinating (and switching) live and robotic camera operations simultaneously. Work has been executed using Thompson EXTENDD (X-10 DD) vision mixer, Abekus DME, Viz, Lotus notes, Geeves, SAM (automated video server), Internal reporting and communication software, Qshot and Radamec camera control, Sony studio cameras, Calrec M2 Audio and standard PC applications

Vision Mixer at TV3 Television Ireland

October 2007 - January 2009

Involvement across a full complement of programming, both live and pre-record in multiple genres. Coordinating with the technical and Production crew, the role included the technical and aesthetic assessment/selection of the most suitable internal and external sources as well the creating/integrating and transmission of visual effects (Digital Video effects, DSKs, Graphics, Transitions and Chroma-keying) Director credits were accumulated regularly through holiday and illness cover Equipment utilised: Sony DVS-7250 and supporting DME 3000, Sony Studio cameras, Brainstorm, Radamec control units, Strand Lighting desk, Sony Analogue audio desk, Sony BETA decks, AVID Unity video management server, Aston, Sony Radio Mics, Cabled IFB/Lapel Mics as well as a wide selection of Sony cardioid and directional microphones, ENPS and standard PC applications, Autoprompt, Programme Credits- News/Current Affairs Programming (Agenda, The Political Party, 20/20, TV3 News, Nightly News with Vincent Browne, The Week in Review), Daily Breakfast Show (Ireland am), Lifestyle/magazine programme (The Sound Room, Xpose, Midday, Pop on 3, The Offside Show), Sports (Sports Tonight, Champions League, Euro 2006, EUFA Cup, Eircom League, FAI Cup, 2007 Rugby World Cup, GAA Championship 2008, Go Racing, Horseracing)

Technical Operator at Bloomberg

October 2005 - October 2007

Duties of Directing/Vision-mixing in a live Gallery on any of five rolling European News channels operated from London headquarters; Audio mixing, Feeds/MCR and Lighting/Camera operations were also part of the role. Special responsibility for the management of department projects from building new studios/control rooms to the introduction of new procedures and equipment. Broadcast Operations consultant on the creation and enhancement of in-house systems and configuration of new equipment including vision-mixers etc. Liason with Channel Production teams to enhance and develop programming. Assigned to oversee the re-structure and redesign of the Paris Studio Operations from its inception as well as controlling its technical output for the French Network and syndications for sister channels. Latterly appointed to a project group overseeing the global implementation of a new graphics operating system and house style. Equipment utilised: Wincue, Snell&Wilcox (Golden DaVE,Kahuna,SD1008,Magic DaVE,SD1012), Sony DVS-2000, Calrec (M2,M3), Sennheiser Radio Mic/IFB Packs, Standard PC applications, Bloomberg Terminal and extensive use of specialised in-house developed production, transmission and administration software, Radamec control units, Snell and Wilcox Rollpod, Strand Lighting Management, Allen & Heath Audio control, MPEG-2 Encoding, BETA and DVC decks, Adobe Premiere, Cool Edit, Studio Cameras (Hitatchi, Ikegami, Sony, Panasonic), Rollcall picture conversion, AMX Routing, Cellstack encoders/decoders, ISDN lines, BT Fibre circuits, Cabled IFB/Mic and a selection of Cardioid and directional microphones.

Vision Mixer/Director at Optimistic Media

June 2005 - October 2005

Involvement in all formats devised by the company. These were entertainment-based and interactive programming for Digital Television as well as other ventures and pilots for a number of channels (E! The Entertainment Channel, ITV, MTV/TMF). Team leader of Broadcast crew of camera operators, graphics, audio, runners and multi-skilled operators. Responsibility for devising camera plots/sequences, collaborator on set design and consultant for talent auditions. Equipment utilised: Wincue, Snell&Wilcox SD1008, Snell&Wilcox Golden DaVE, Clarity, Sony and Panasonic Studio cameras, Sony BETA decks, Strand lighting desk, Calrec M3 audio mixer

Production Assistant, The Political Party at TV3 Television Ireland

September 2004 - June 2005

Role consisted of broadcast co-ordination (compilation of scripts and running orders, guest coordination, preparation of recording for transmission). Additional duties as Communications Contact with responsibility for issuing press releases.

Floor Co-ordinator at Sky News

June 2004 - June 2005

Sky News Ireland freelance position

Segment Producer & Researcher, Ireland am at TV3 Ireland

May 2002 - June 2005

A freelance role involving creating programme segments, pitching mini-features, booking guests, scripting items and compiling briefing notes. Topics ranged from sport to news and current affairs, human interest, music, entertainment and lifestyle (fashion, reviews) Equipment utilised: ENPS and standard PC applications, Sony BETA decks and Avid Express

Vision Mixer/Floor Co-Ordinator (freelance) at TV3

September 2001 - June 2005

Vision-Mixer role was first undertaken in November 2003. The role is described above when the position was held between 2007 and 2009. The Floor Manager/Floor Co-ordinator role required responsibility for enforcing health and safety legislation, camera positioning, set changes, briefing/micing guests, cueing talent and liaising with various production and technical staff to ensure programming ran efficiently and effectively. Equipment utilised: Sony DVS-7250 and supporting DME 3000, Sony Studio cameras, Brainstorm, Radamec control units, Strand Lighting desk, Sony Analogue audio desk, Sony BETA decks, AVID Unity video management server, Aston, Sony Radio Mics, Cabled IFB/Lapel Mics as well as a wide selection of Sony cardioid and directional microphones, ENPS and standard PC applications, Autoprompt, Programme Credits- News/Current Affairs Programming (Agenda, The Political Party, 20/20, TV3 News, Nightly News with Vincent Browne, The Week in Review), Daily Breakfast Show (Ireland am), Lifestyle/magazine programme (The Sound Room, Pop on 3, Xpose, Midday, The Offside Show), Sports (Sports Tonight, Champions League, Euro 2006, EUFA Cup, Eircom League, FAI Cup, 2007 Rugby World Cup, GAA Championship 2008, Go Racing, Horserace meetings)

Assistant Floor Co-ordinator, Agenda at Fastnet Films

September 2002 - May 2004

Working for the Production company on the TV3 Current Affairs flagship, for the final three series. Responsibility included set and prop management, guest and talent co-ordination, re-positioning cameras, assisting audio control with guest mics and sound levels and liaising with colleagues in the production and technical crew to ensure a safe working environment and successful live broadcast

Researcher at Newstalk 106

January 2003 - April 2003

Freelance staff for live morning programme, The Flipside with Daire O' Brien on the talk-driven station. Creating/Pitching items relating to topics ranging from current affairs to human interest and sport. Booking guests and providing briefing notes containing background and prospective questions Equipment utilised: Standard PC applications, Cool Edit, MD Recorders, Sony stereo microphones

AA Roadwatch Research Journalist and Broadcaster at AA Insurance Ltd

September 2001 - December 2002

?Research Journalist and Broadcaster for national radio broadcasts on RTE Radio (Radio One, 2fm), ?Voice Reports for Telephone service ?Creating content on script wires for regional stations ?Publishing live content for website and multimedia services (including text alerts etc.). ?Editor for European Travel, published on website and compiled for RTE television broadcasts. Tasks conducted with use desktop publisher, web publisher and numberous word processing applications. Editing of audio material was carried out with Cool Edit and content was recorded in radio suites.

Director at BBC

April 2012

Directing and Vision Mixing/Director across both domestic and international live and pre-recorded programming. Coordinating and controlling a team of technicians, production and on-air talent in order to successfully manage logistics, chose appropriate resources and take ownership for the style, shape and success production of the programme. Equipment Utilised: ENPS, Columbus, VizRT, Sony MVS7000, Calrec M3, Autobus, Standard PC applications, Radamec, Worked across the entire News and Current Affairs programming from the BBC. Most notably; Royal Jubilee, London 2012 Olympics and the 2012 US & French Presidential Elections.

Vision Mixer (Freelance) at setanta

September 2011

Live event coverage of Rugby World Cup 2011 and in the presentation of the station's English Premier League production.

Director at QVC

February 2011

Co-ordination and management of resources, including a large team of individuals, in order to produce up to 18 hours of Live television per day with the associated administration duties, reports, briefings and meetings. Have also been involved in numerous projects that effect programming and production processes. Directing and vision mixing directing of cookery, demonstration, lifestyle and live music performances coordinating (and switching) live and robotic camera operations simultaneously. Work has been executed using Thompson EXTENDD (X-10 DD) vision mixer, Abekus DME, Viz, Lotus notes, Geeves, SAM (automated video server), Internal reporting and communication software, Qshot and Radamec camera control, Sony studio cameras, Calrec M2 Audio and standard PC applications

Vision Mixer at BSkyB

February 2009

Operating across full range of programmes and event coverage. Working closely with the Director, Producer, Directors/Production Assistant, Technical Director, Live Camera Operators and other Technical and Production crew to create, control and manage the visual elements of the production through assessing and selecting the most appropriate source (Cameras, external locations, graphics etc.) and utilising any suitable effects (Digital Video effects, Transitions, DSKs, Graphics and Chroma-keying, grading and correction/manipulation). Equipment utilised: Sony MVS 8000, GVG-Kayenne, GVG-Kalypso, GVG-Kayak, GVG-200, DVEOus, Hi-Tech controller, X-clyps, DME 3000, GASP, VizRT, Chyron, iNews, Internal and intranet systems, Wincue, Standard PC applications Programme Credits- Sky Movies (35MM, Golden Globes), Sky News, Sky Sports News, Soccer Saturday/Soccer Special, Event Coverage (Live/Highlights for Tennis ATP Tour, Davis Cup, US Open, Cricket [County, OTI, ICC, Tournament, 20/20, Ashes], International/Domestic/European football, European Open Golf, US PGA Tour, NFL NAScar, IndyCar, Speedway, Rugby League, Rugby Union, Heineken Cup, Super 14's, IRB 7's, NZ Cup, ) Magazine/Specialist Interest Programming (Sunday Supplement, Time of our Lives, Boots n' All, Cricket AM, Tightlines, Goals on Sunday, You're on Sky Sports)

Vision Mixers at Guild of Vision Mixers

2008

Member of the organisation dedicated to promoting the role of Vision Mixer across the UK and Ireland and providing training and workshop opportunities to develop and fine tune skills.

Paul Doyle's Education

National Film and Television School (NFTS)

2012 – 2012

University of Leicester

2010 – 2012

MA

Concentration: Mass Communications


National University of Ireland, Maynooth

2008 – 2008

Level 7 Cert

Concentration: Adult Education and Learning


BCFE

2001 – 2005

BA, HDip, Nat Dip

Concentration: Media (Media Production and Management)


Thames Valley University

2001 – 2005

BA

Concentration: Media Production and Management


University College London, U. of London

2009 – -

LLM

Concentration: Law


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